The Short: "Happiness Hack: This One Ritual Made Me Much Happier"
by Nir Eyal (Medium)
When my wife and I moved to New York City in 2001, recently graduated from college and newly wed, we were eager to find friends. We knew nearly no one but were sure we’d soon find a fun-loving group like the 20- and 30-something New Yorkers who spontaneously dropped in on one another onSeinfeld and Friends.
The Long: "The Crackin’, Shakin’, Breakin’ Sounds"
by Nat Hentoff (The New Yorker circa 1964)
The second—and more influential—demiurge of the folk-music microcosm is Bob Dylan, who is also twenty-three. Dylan’s impact has been the greater because he is a writer of songs as well as a performer. Such compositions of his as “Blowin’ in the Wind,” “Masters of War,” “Don’t Think Twice, It’s All Right,” and “Only a Pawn in Their Game” have become part of the repertoire of many other performers, including Miss Baez, who has explained, “Bobby is expressing what I—and many other young people—feel, what we want to say. Most of the ‘protest’ songs about the bomb and race prejudice and conformity are stupid.